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藍嘉穎 Blue Ka Wing

左撇子、香港獨立編舞。畢業於香港演藝學院舞蹈藝術學士學位,主修當代舞及編舞。2023年獲香港賽馬會音樂及舞蹈信託基金頒發獎學金,翌年於英國倫敦當代舞蹈學院修讀藝術文學碩士學位,主修舞蹈影像(MA Screendance)。 憑《時差》入圍香港舞蹈年獎2017的候選傑出編舞。2026年1月發表長篇舞蹈劇場作品《鄰居的鄰居》。 Blue Ka Wing, left-hander, an independent dance artist from Hong Kong. In 2010, she graduated from the Hong Kong Academy for Performing Arts with a Bachelor of Fine Arts degree, majoring in Contemporary Dance and Choreography. In 2023, Blue was awarded a scholarship from The Hong Kong Jockey Club Music and Dance Fund to study for a Master of Arts in Screendance at The Place, London Contemporary Dance School. Blue has been nominated for Outstanding Choreography for her work “Time Lag” at the Hong Kong Dance Award 2017. Her latest Dance Theatre work “The Neighbor’s Neighbor” premiered in January 2026.

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Nov 7

Screening

舞蹈電影 Flavors of Dance Film

Nov 7
7:30 PM - 9:30 PM
Broadway Cinematheque, Yau Ma Tei
家,是一個地方,還是一種狀態? 《Peak Hour in the House》、《山海流》與《迴家》以舞蹈影像為媒介,帶領觀眾穿梭神話、夢境、城市與記憶之間,展開兩段關於流徙、探索與歸屬的旅程。從追日者尋覓心安之所,到舞者在消逝的城市風景中重構家的想像,三部作品共同叩問:當世界持續變化,我們又將如何找到屬於自己的家? 1. 《迴家》(30分鐘) 導演|王丹琦 2. 《Peak Hour in the House》 (7分鐘) 導演|藍嘉穎 3. 《山海流》 (30分鐘) 導演|黃漢樑 *設有映後藝人談 嘉賓:藍嘉穎、王丹琦 Is home a place, or a state of being? Through mythology, dreams, and urban landscapes, “Peak Hour in the House”, “Mountains, Seas, Panorama” and “LOOP / HOLE” explore themes of journey, belonging, and identity. From the pursuit of a spiritual sanctuary to the rediscovery of a changing city, these three screendance works offer contemplative reflections on what it means to seek, lose, and find home in an ever-shifting world. 1. “LOOP / HOLE” (30 mins) Director: Tan-ki Wong 2. “Peak Hour in the House” (7 mins) Director: Blue Ka Wing 3. “Mountains, Seas, Panorama” (30 mins) Director: Wilfred Wong *Artist Talk following the screening Guests: Blue Ka Wing, Tan-ki Wong

Nov 8

Workshop

觀賞到運鏡:舞蹈影像工作坊
《Peak Hour in the House》別注版
From Viewing to Framing: Screendance Workshop
(featuring"Peak Hour in the House")

Nov 8
12:00 PM - 3:00 PM
LP 49, Langham Place Office Tower
「眼睛準備好之時,才是按下錄影鍵的好時機。」 舞蹈影像(Screendance)不只是記錄舞蹈,而是將肢體語言、鏡頭視角與空間感揉合的藝術創作。本工作坊由藍嘉穎主理,以身體實踐出發,參加者將先後化身「舞者」與「導演」。 藍嘉穎將在工作坊中分享其舞蹈短片《Peak Hour in the House》,作為腦部熱身與靈感啟發。她相信,作為 Screendance 拍攝者,手上的器材從不應是冰冷的機器。這場工作坊將帶領大家關注自身的「身體覺知」,如何將身體的重心轉移與鏡頭連結,讓相機成為四肢與感官的延伸。此外,當拍攝者能親身用肢體去理解舞步,並帶著極高的身體敏感度去運鏡,便能以更敏銳的觸角,擴闊舞蹈影像的探索深度。 參加者將學習同一段舞步,並分組遊走於場地空間進行「一鏡到底」的影像試驗。當相同的肢體語彙被不同的視野觀察與捕捉,配合各自獨特的運鏡、選址與流動,將勾勒出截然不同的視覺風景與情感故事。 這是一場關於「觀看」、「被觀看」與身體感知的創意對話。無需專業器材或攝影經驗,只需帶著你的好奇心,一同探索身體與鏡頭共舞的奇景。 "The right time to roll the camera is when your eyes are truly ready." Screendance is far more than simply recording a dance, it is an interdisciplinary art form that merges movement, cinematography, and spatial storytelling. Guided by Blue Ka Wing, this workshop invites participants to step into the dual roles of both dancer and director. To spark inspiration and kick off a mental warm up, Blue will share her short dance film 《Peak Hour in the House》. She believes that for a Screendance filmmaker, a camera should never be just a cold piece of equipment. This workshop places deep emphasis on body awareness, exploring how to connect your shifts in weight and center of gravity with the lens, making the camera a natural extension of your limbs and senses. Furthermore, when creators experience and understand movement firsthand through their own bodies, they can bring heightened sensitivity and depth to every shot behind the lens. Participants will learn a dance sequence together before embarking on single-take Screendance experiments across the venue. As identical choreography is observed and captured through diverse perspectives, combined with individual choices of camera movement, location, and flow, it will unfold into entirely distinct visual landscapes and emotional narratives. Join us for this inspiring dialogue between body, camera and space. No professional equipment or filmmaking background is required, just bring your curiosity and discover the wonder when movement dances with the lens.
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