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香港舞蹈聯盟
姜凱翎 Keung Hoi Ling
姜凱翎於香港土生土長，2019年從香港演藝學院轉讀 Northern School of Contemporary Dance 並以一級榮譽畢業，繼而在薩爾斯堡實驗舞蹈學院繼續進修。
她的首項研究《206之54》被選入香港藝術中心為期四個月的駐場藝術家計劃，並獲邀於 Art Central 2023 及 La Bas Cros 工作室展演。後來加入不加鎖舞踊館當全職駐團藝術家(2023-2025)，其間發展個人作品 “I saw a Ping-Pong. I Crushed it. It was an Egg.” ，並於大館表演藝術季: Spotlight 2025 《無限延展》首演，再為M+ at night （06/2026）和 Stroll Gallery的期間展覽作回應重演。
2025年起回復自由身藝術工作者身份。新作《以我之名》探討身體自主、身份認同與去殖民抗爭的交融如何透過表演創作引導觀者跨越既定敘事框架，觸及被遮蔽的歷史與身體記憶。曾於牛吉Day (牛吉地)、FIRST Creative Platform (西九文化區：自由舞) 、Open Dance Platform (多空間), Sai Dance Festival (日本) 及2026風乎舞雩國際舞蹈匯演《HER》 (台灣)作階段性呈現。這份探索源自對表演作為社會行動的反思，以及其對生命經驗中隱性連結的持續叩問。
Keung Hoi Ling has studied in the Hong Kong Academy for Performing Arts, Northern School Contemporary Dance and Salzburg Experimental Academy of Dance. She then joined Unlock Dancing Plaza as a full-time resident artist, meanwhile developing her second solo “I saw a Ping-Pong. I Crushed it. It was an Egg” and premiered at the “SPOTLIGHT: A Season of Performing Arts 2025 - Infinite Extension”.
In recent years, Hoi-Ling has explored how the integration of bodily autonomy, identity, and decolonial resistance can—through performance creation—guide audiences to transcend established narrative frameworks and access obscured histories and embodied memories. This inquiry stems from a critical reflection on performance as social action, alongside a persistent questioning of the implicit connections within lived experience.
It leads to her current research project “Call Me By My Name” - an intimate choreographic exploration of identity, cultural legacy, and self-reclamation through the lens of naming. This work interrogates belonging and power, culminating in the reclaiming of her Chinese name as decolonial defiance and spiritual homecoming. Through live performance, it seeks to transform inherited narratives into a sacred act of self-naming. The work has been presented work-in-progresses since 2025; in Ngau Gaat Day (Ngau4 Gat1 Dei6), FIRST Creative Platform (West Kowloon District: Freespace Dance), Open Dance Platform (Y-space) , Sai Dance Festival (Japan) and 2026 Feng Dance International Gala 《Her》 (Taiwan).
Nov 8
Stage Performance
以我之名（選段）
Call Me By My Name（exceprt)
Nov 8 | 2:00 PM - 3:00 PM | 4/F Atrium, Langham Place |
《以我之名》透過命名探討身分與文化傳承。作品追溯凱翎從祖父重男輕女的命名，到父母以算命師批名反叛祖父的決定，再到她在歐洲拒絕具殖民色彩英文名的經歷，揭示命名背後的意識形態壓迫，並將創傷轉化為自我命名的儀式，完成跨越代際與殖民桎梏的精神返鄉。
這次將展演《以我之名》之選段 — 「翎靈」。靈感來自父母保護女兒的行動作為「傳統之矛攻傳統之盾」的巧妙反抗，凱翎邀請母親把「翎」所代表的京劇翎羽安裝在父親的單車頭盔上，以此象徵父母對她的守護，同時也是對「凱翎」的一次完整賦權的儀式。
"Call Me By My Name" is an intimate choreographic exploration of identity, cultural legacy, and self-reclamation through the lens of naming. This work interrogates belonging and power, culminating in the reclaiming of her Chinese name as decolonial defiance and spiritual homecoming. Through live performance, it seeks to transform inherited narratives into a sacred act of self-naming.
This time, an excerpt from "Call Me By My Name" — "Ling Ling" — will be performed. Inspired by her parents' ingenious act of resistance in protecting their daughter by "using the spear of tradition against the shield of tradition," Hoi-Ling invited her mother to mount the Chinese opera plumes represented by "Ling" onto her father's bicycle helmet — a symbol of her parents' guardianship over her, and at once a ritual of complete empowerment for "Hoi-Ling."
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