《花環圓舞曲》為柴可夫斯基《睡美人》第一幕之開場舞曲，作曲於一八八九年，並於一八九〇年在馬林斯基劇院首演，由馬里烏斯·彼季帕編舞。此舞段伴隨奧羅拉公主十六歲誕辰之慶典，村民手持花環步入宮廷，翩翩起舞，構成盛大之華爾茲群舞。 本改編版本由八位女舞蹈員演出，將彼季帕原著群舞之壯麗，凝練為親密而充滿活力之舞台。舞蹈員以迴旋之花環與輕盈之華爾茲舞步，展現慶典之歡欣與朝氣，將喜慶氣氛傳遞予在場觀眾。誠邀各位觀眾一同分享箇中喜悅——以音樂與舞蹈交織而成之 作品。 The Garland Waltz opens Act I of Tchaikovsky's The Sleeping Beauty, composed in 1889 and premiered in 1890 at the Mariinsky Theatre with choreography by Marius Petipa. It accompanies the festive celebrations for Princess Aurora's sixteenth birthday, as villagers bearing flower garlands fill the court with a grand ensemble waltz. This adaptation, choreographed for eight female dancers, distils the grandeur of Petipa's original ensemble into an intimate yet vibrant staging. The dancers capture the joy and energy of the occasion, their swirling garlands and buoyant waltz steps conveying the spirit of celebration. Performed here for our audience, the piece invites all present to share in the festivities—a joyful outpouring of music and movement that sets the stage for the dance to unfold.

特定場域舞蹈 × 現場獨白 在人來人往的商場外，兩位舞者以身體互相抗衡、支撐，拉扯出彼此的重心。現場獨白與舞蹈交織對話。我們邀請你在急促的城市節奏中見證一段僅存在於這個瞬間、這個地點的獨白。 Site-specific dance with live spoken monologue In front of a bustling shopping mall, a site-specific intervention interplays the counterbalance and weight-sharing of two dancers. The two bodies form and dismantle, pulling away from each other to find their center. Accompanied by a live spoken monologue that directly interacts with the choreography, the piece invites you to pause amidst the rush of the city and witness a private narrative that will only ever exist in this exact moment, in this exact place.

舞動擷取喜悅，呼吸從不間斷。 三位兼具國標與現代舞背景的舞者，借拉力帶牽引肢體關係，在都市垂直縱向的動線中，探尋肉身轉瞬生滅的流動。這個「場域特定」演出，將發生在朗豪坊的熱鬧氛圍，舞者以拉丁節奏的躍動，沈靜的雨聲，終在華爾茲裡重自己與 喜悅的對話，舞者與觀眾於靜態的金屬塑像間，在一呼一吸之中，共同叩問何謂「快樂」的永恆與短暫。 Dance captures joy; breath never comes to a halt. Three dancers with backgrounds in ballroom and contemporary dance use resistance bands to weave relationships through movement. Within the city's vertical currents, they explore the body's ever-shifting passage between appearing and fading away. Set amid the lively atmosphere of Langham Place, this site-specific work journeys through vibrant Latin rhythms and tranquil rainfall, eventually returning to a conversation with joy in the embrace of a waltz. Between motionless metal figures, dancers and audience share each breath, reflecting together on the fleeting yet enduring nature of happiness.

本作品靈感源於抽象雕塑的概念，以以舒緩、浮游的肢體基調，配合泡泡營造的氛圍，呼應城市空間的斑駁肌理。演出邀請觀者暫時脫離被節奏裹挾的日常狀態，在持續不斷的忙碌之中，人常常困在既定的事務與焦慮裡，難以擁有片刻留白。舞者試圖搭建一處短暫的精神間隙，讓觀眾從慣性的忙碌中抽離，放下緊繃的狀態，重新感受鬆弛、安靜的存在本身。 Drawing inspiration from abstract sculpture, this work adopts a gentle, floating movement quality paired with the ethereal space created by bubbles, inviting audiences to step out of their fast-paced daily routines. Constant busyness often traps people within endless tasks and anxieties, leaving little room for pause. Performers aims to create a temporary mental sanctuary, allowing viewers to detach from habitual hustle, release tension, and reconnect with quiet, unrushed presence.