《以我之名》透過命名探討身分與文化傳承。作品追溯凱翎從祖父重男輕女的命名，到父母以算命師批名反叛祖父的決定，再到她在歐洲拒絕具殖民色彩英文名的經歷，揭示命名背後的意識形態壓迫，並將創傷轉化為自我命名的儀式，完成跨越代際與殖民桎梏的精神返鄉。 這次將展演《以我之名》之選段 — 「翎靈」。靈感來自父母保護女兒的行動作為「傳統之矛攻傳統之盾」的巧妙反抗，凱翎邀請母親把「翎」所代表的京劇翎羽安裝在父親的單車頭盔上，以此象徵父母對她的守護，同時也是對「凱翎」的一次完整賦權的儀式。 "Call Me By My Name" is an intimate choreographic exploration of identity, cultural legacy, and self-reclamation through the lens of naming. This work interrogates belonging and power, culminating in the reclaiming of her Chinese name as decolonial defiance and spiritual homecoming. Through live performance, it seeks to transform inherited narratives into a sacred act of self-naming. This time, an excerpt from "Call Me By My Name" — "Ling Ling" — will be performed. Inspired by her parents' ingenious act of resistance in protecting their daughter by "using the spear of tradition against the shield of tradition," Hoi-Ling invited her mother to mount the Chinese opera plumes represented by "Ling" onto her father's bicycle helmet — a symbol of her parents' guardianship over her, and at once a ritual of complete empowerment for "Hoi-Ling."