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Terry Tsang x Fai Tsang Dancers Audition

Local choreographer Terry Tsang and Fai Tsang are looking for 3-4 dancers to join each of their upcoming performance!(total 6-8 dancers needed) The audition will be held on 30 January 2019 (Wed).

If you... are looking for breakthroughs, willing to think outside the box and have stage performance experience, please come and dance with us!

► Audition Details
Date: 30/1/2019 (Wed)
Time: 09:30-13:00
Venue: Studiodanz (Kowloon)
Address: Workshop B, 5/F, Tontex Industrial Building, 2-4 Sheung Hei Street, San Po Kong, Kowloon

***Dress code***
First Part: Causal sports wear
Second Part: Costumes of Terry’s piece will expose excessive skin, interested dancers please bring a set of tights for the audition. (e.g. Topless and tight shorts for male, bra-top and tight shorts for female)

Performance Details
Rehearsal Period: 3/2019–9/2019
Performance Period: 9/2019
Performance Venue: Kwai Tsing Theatre Blackbox Theatre

Application Method
Application Form: Click Here
Deadline: 27/1/2019 (Sun)
Selected candidates will be contacted through email.

Thalia Wong
thalia@hkdanceall.org/ 2267 6631

Photo: Worldwide Dancer Project, Mak Cheong Wai @Moon 9 Image



Springboard Showcase 2019: 'Linear' by Chen Kai, 'I.I.I' by KT Yau Ka Hei


11-12/1/2019 (Fri – Sat) 8pm

Ko Shan Theatre New Wing Auditorium
Ticket Sales Start: 3/12/2018


A brand new choreography of ’Classifiable Movement’

In my body, substance is transformed
In my mind, space is set

Choreographer/ Dancer: Chen Kai
Installation Designer: Joe Chan Kiu Hong
Composer: Charlotte Chiu
Lighting Designer: Billy Wong
Acknowledgement: Lee Siu Ching Arts Donation

《I.I.I》 In Ideal Illusion


Absent in reality,

Present with imagination

Choreographer: KT Yau Ka Hei
Devising Dancers: Chan Lok Hin, Kingsan Lo, Tsang Wing Fai
Lighting Designer: Billy Wong
Sound Designer: Sham Chung Tat


 Springboard Showcase ◆ 

Presented by Hong Kong Dance Alliance, 'Springboard Showcase' is a residency program and creative platform targeting mid-career local choreographers.



 Discount Schemes ◆ 
Half-price tickets available for full-time students, senior citizens aged 60 and above, people with disabilities and the minder and Comprehensive Social Security Assistance (CSSA) recipients.

30% off for members of Hong Kong Dance Alliance; 20% off for Prestige members of Hong Kong Dance Company, 10% off for Friends of Hong Kong Ballet, CCDC ‘Dance Inspirations’ members and ‘Student Dance Inspirations’ members and HKAPA Alumni Association members.

10% off for each 5-10 standard tickets; 20% off for 11-19 standard tickets; 30% off for 20 or more standard tickets.

Patrons can enjoy only one of the above discount offers. Please inform the box office staff at the time of purchase.

Important Information ◆ 
This program contains nudity scenes.
Recommended for aged 12 or above.
The performance lasts approximately 1 hour and 15 minutes, including a 15-minute intermission. Latecomers will only be admitted until a suitable break or the intermission.


The presenter reserves the right to change the program and substitute artists.

Program Enquiries: 2267 6631 / www.hkdanceall.org 
Ticketing Enquiries: 3761 6661
Credit Card Telephone Booking: 2111 5999
Internet Booking: www.urbtix.hk

Presented and Produced by: Hong Kong Dance Alliance
This production is financially supported by the HKADC
Acknowledgement: Leisure and Cultural Services Department

DanceHub Talk Series - How to Write Dance? by Arnd Wesemann

【DanceHub Talk Series - How to Write Dance? by Arnd Wesemann】

Co-organizers: Hong Kong Dance Alliance, West Kowloon Cultural District Authority

Date : 2019. 01. 3 (Thur) 
Time : 7:30 - 9:30 pm

Venue : Library, Goethe-Institut Hong Kong  (14/F, Hong Kong Arts Centre, 2 Harbour Road, Wanchai)

Speaker : Arnd Wesemann (Dance Critic, Chief Editor of Tanz magazine)
* Conducted English 

► Lecture Highlights
- Ways to understand, write and review dance
- Dual role of dance critics in dance work and review writing 
- Purposes and methods of writing dance review 
- Establishment and formation of dance review from historical context 

► About Arnd Wesemann
Journalist and editor of Europe’s leading dance magazine tanz, Arnd Wesemann is an expert in dance and dance criticism. He is going to share this views and to create conversations with local theatre critics on performing arts criticism in a contemporary context. Arnd Wesemann has published a number of books on politics and aesthetics, including Immer Feste Tanzen (The Dancing Feast 2006), a German-language collection of essays on the history of dance and dance as antidote to work, and Made in Bangladesh, an essay on how the lives of cultural workers and workers in the garment industry are impacted by society’s expectation that everything should be available at a bargain price.

► Application Method 
Free of charge, reservation in advance is required. Confirmation letter will be emailed to the selected participants. 

Online registration : 
Deadline : 2018.12.27 (Thur)

► Enquiries
Chloe Wong (chloe@hkdanceall.org; 2267 6733/ 2267 6631)

Supported by : Goethe-Institut Hong Kong 
Promotion Partner : International Association of Theatre Critics (Hong Kong)




Concurrent Event

New Strategies for New Times - (Re)defining Contemporary Performing Arts Criticism: Workshop on Performing Arts Criticism by Arnd Wesemann 】

This workshop will be conducted in English, and it is suitable for theatre critics with practical experiences.

Co-organiser: West Kowloon Cultural District, International Association of Theatre Critics (Hong Kong)

Supported by: Goethe-Institut Hong Kong
Promotion Partner:Hong Kong Dance Alliance

Venue:Library, Goethe-Institut Hong Kong(Goethe Gallery or Black Box Studio, Goethe-Institut Hong Kong (14/F, Hong Kong Arts Centre, 2 Harbour Road, Wanchai, Hong Kong)
Speaker:Arnd Wesemann
Number of participants::15
Details and Application:

Joseph Lee : Dancer Audition X Workshop



Local choreographer Joseph Lee is holding a two-day contemporary dance workshop on 22-23 December, to share his thoughts gained from the exchange experiences in Europe, his current research and the artistic direction. Meanwhile, Joseph also wishes to meet and connect with local performers, seeking partners for his new creation premiered in September 2019 and upcoming production(s) in 2020. 

The workshop will utilize improvisation as devices, in search for the possibilities of bodies in motion, to connect the mind and the body, forming a dialogue. Research on creation topics in future production(s) will be conducted, discussing the topics and implementing trails in an open environment, to gain mutual understanding and explore the space for exchange in creation. 

► Details of Workshop and Audition
Date: 2018.12.22-23 (Sat – Sun)

Time: 10 am – 5 pm
Venue: Wanchai

► Application Method: 
Applicants with professional dance and physical training backgrounds are welcome to apply. Applicants must attend both two-days of the workshop.

Online Application Form︰
Application Deadline: 2018.12.18 (Tue)

Suitable candidates will be invited, all applicants will receive an email notification before December 21 for the result. Invited pariticants will recevie the details of the event. 

//About Joseph Lee//

Joseph Lee was a local choreographer, and began his dance training at the age of seventeen. He further his dance training at The Place, London Contemporary Dance School in UK, where he obtained his Master of Arts (Contemporary Dance) in 2015. Lee tried to expand the imaginations in dance with his choreography and dance by extensive collaboration with different art forms. Lee joined Unlock Dancing Plaza as an apprentice upon his return at the beginning of 2015 and became their resident artist afterwards. 

Recent Choreography includes It tastes like you (2016), Folding Echoes (2016), The World Was Once Flat (2018).

Lee was awarded Arts Development Award for Young Artist; the Chin Lin Foundation of Emerging Choreographer. 

More info: 

Enquiries: Chloe Wong (chloe@hkdanceall.org/ 2267 6733)

Photo: The Light Particles

DanceHub: Law Seminars for Arts Practitioners

To enhance the legal knowledge of artists and art administrators, the Hong Kong Dance Alliance (HKDA) has invited Mr. Albert So, Chairman of the Hong Kong Mediation and Arbitration Center, to conduct two seminars:


Company Law and Audit Regulations

Date & Time: 17/11 (六 Sat) 2-5pm

Venue:Hong Kong Management Association

Deadline of registration:12/11 (Mon)


► Fundraising Liabilities and Personal Data Collection

Date & Time:24/11 (Sat) 2-5pm

Venue:HKFYG Continuous Learning Centre

Deadline of registration:19/11 (Mon)


Apply Now!



Mr. Albert So (Chairman, Hong Kong Mediation and Arbitration Centre)






Independent artists, producers, arts administrators, presenters *Priority for dance practitioners



HKDA Members:$100/seminar; 10% off for both seminars (Total $180)

Non-members:$150/seminar; 10% off for both seminars (Total $270)


No refund


Enquiries: Ms Wong (2267 6733)

21st Hong Kong Dance Awards – Call for Nominations

Hong Kong Dance Alliance (HKDA) announces the Call for Nominations for the 21st Hong Kong Dance Awards. The Hong Kong Dance Awards were established in 1999 to pay tribute to outstanding work by individual artists and dance organizations in new productions throughout the year, as well as acknowledge distinction in other activities related to dance and the Hong Kong dance community.


Call for Nominations

Nominations in twelve award categories are open for submission by anyone – from dance practitioners to audience members. All Hong Kong dance artists and practitioners, and any persons contributing to Hong Kong dance productions are eligible as nominees. Following the close of nominations, a shortlist, determined by balloting distinguished experts in the dance field, will be announced in early 2019.  To further enhance the representativeness and diversity of the Awards, this year’s Expert Panels have been expanded as in previous years. The candidates of the “Emerging Choreographer Award” established last year will be nominated by the Expect Panel and Executive Committee members of the HKDA.


21st Hong Kong Dance Awards Presentation & Gala Performance

The Awards will be announced and presented at The 21st Hong Kong Dance Awards Presentation & Gala Performance, which will be held at Kwai Tsing Theatre Auditorium on 18 April 2019 (Thursday). Artists honoured in the past include companies such as City Contemporary Dance Company, Hong Kong Ballet, Hong Kong Dance Company, and Unlock Dancing Plaza; choreographers such as Helen Lai, Mui Cheuk-yin, Yang Yuntao and last year’s Emerging Choreographer, K.T. Yau.


The nomination period closes on 3 January 2019 (Thursday). Interested parties can complete the Nomination form and submit via 1) email, 2) google form, or 3) by post to 7/F, 26-28 Tai Yau Street, San Po Kong, Kowloon by 6pm on or before that day.


For more information, please click here.

‘New Force in Motion’ Series: Lördagsgodis by Gabbie Chan and Moha by Jennifer Mok

Date: 28 – 30 September 2018

Venue: Black Box Theatre, Kwai Tsing Theatre

Tickets: URBTIX



Choreographer: Gabbie Chan Hiu Ling

Dancers: Chan Lok Hin, Cyrus Hui


Lördagsgodis, the Swedish Saturday Candy. Bites of irresistible sweetness conceal the bewildering deception, sugarcoat fragmented memories.


Gabbie Chan

Chan graduated from The Hong Kong Academy for Performing Arts, majoring in Chinese Dance. From 2012 to 2014, Chan joined the DanceArt Hong Kong and performed in productions including In Search of Hui Sin, M-cident, and Lament of the Exile. In 2015, she joined Passoverdance and started creating choreography. Chan’s recent choreographies include the environmental dance Recycle Green presented in iDance Festival Hong Kong in 2015, and The 16th Day presented in The 44th Hong Kong Arts Festival in 2016. Other works include Whisper of Bubble, Fabric, He,She,It,Past,Chase and more. Chan is currently the Artist in Residence of Passoverdance.



Choreographer: Jennifer Mok

Devising Dancers: Pansy Lo, Kaspy Ma, KT Yau Ka Hei


Moha, ‘delusion’ in Sanskrit, the agony of ignorance to the entire reality. The fog of fear, obligation, and guilt, a cage of blinded extortion.


Jennifer Mok

Mok graduated from The Hong Kong Academy for Performing Arts, majoring in Ballet and later in Modern dancer. Mok joined the City Contemporary Dance Company as dancer from 2007 to 2014. In 2015, Mok performed in her first choreography, A Major Clown in G Flat, in Femininity of E-sides Dance Company, and was nominated for Outstanding Choreography and Outstanding Performance by a Female Dancer in the 18th Hong Kong Dance Awards. In 2018, Mok was invited to the Hong Kong Dance Exchange Festival and 2018 Dance Round Table in Taiwan. In 2017, she presented her work You are Beautiful in The 45th Hong Kong Arts Festival. Currently, Mok works as an independent artist in different fields of performing arts. 



‘New Force in Motion’ presents new dance works of emerging choreographers. It aims to offer a professional platform for young choreographers to showcase choreography, encourage development, and stimulate creativity through artistic mentoring and collaborative research. To continue the shared vision for dance development, and to facilitate the professional production process, the HKDA serve as the producer of the program again in 2018-19. Two young local choreographers, Gabbie Chan and Jennifer Mok, were selected by the LCSD Art Form Panel (Dance and Multi-Arts) from the proposals it received.


Presented by: Leisure and Cultural Services Department

Produced by: Hong Kong Dance Alliance

Hong Kong Dance Alliance is financially supported by the HKADC

DanceHub: Law Seminars for Arts Practitioners

In order to enhance the legal knowledge of artists, designers and art administrators, the Hong Kong Dance Alliance (HKDA) has invited Mr. Albert So, Chairman of the Hong Kong Mediation and Arbitration Center, to conduct two seminars:

►Internet and Copyright Law
Date & Time: 26/7 (Thur) 2-5pm
Deadline of registration:18/7 (Wed)

►Contract and Labour Law
Date & Time:18/8 (Sat) 2-5pm

Deadline of registration:8/8 (Wed)

Click here for Online Registration

Mr. Albert So (Chairman, Hong Kong Mediation and Arbitration Centre)

Hong Kong Management Association 

Room 202, 2/F, First Commercial Building, 33-35 Leighton Road, Causeway Bay


Independent artists, producers, arts administrators, presenters, designers (sound, set, light, props, costumes, multimedia, etc) 

HKDA Members:$100/seminar; 10% off for both seminars (Total $180)
Non-members:$150/seminar; 10% off for both seminars (Total $270)

Limited quota; register now!
*(Priority for dance practitioners)

Thalia Wong
Tel.: 2267 6631
Email: admin@hkdanceall.org

'Creative Space 2018' Solo Male Dancer Audition

Presented by Dance Alliance, 'Creative Space 2018' is a residency programme targeting local mid-career choreographers. Participating artists will join regular workshops, technique classes and rehearse for the new work. The new work will be premiered in January 2019 at Ko Shan Theatre New Wing Auditorium.

One of the choreographers – Chen Kai is now looking for a Male Dancer! If you are a professionally trained ballet and contemporary dancer, and are interested in the production, please apply on or before 1 July!

'Creative Space 2018'
Rehearsal Period: 8/2018 – 1/2019
Performance Period: 11-12/1/2019
Performance Venue: Ko Shan Theatre New Wing Auditorium

About the Choreography
Choreographer: Chen Kai
Work length: Around 30 mins 

-- An adventurous attempt to be an equilibrium in a suspended position
It will be a solo contemporary dance work. Restricting within a suspended-position on the footprint, Chen Kai tries to apply linear movement to visualize the bodily limitation of trace-points in Kinesphere, and to free the imagination of extension-points in sphere, which symbolically comes along with a metal round object, to shape a space.

About Classifiable Movement 
Chen Kai has founded the Classifiable Movement to put his ‘Classifiable Movement’ theory into practice and visualize the concept of ‘let the movement speak for itself’. His logic thinking pattern cultivates the rational side of the dance and shapes multi-layers of movement analysis. 
He created his choreographic method of ‘Classifiable Movement’, which has been categorizing movements according to their features, namely linear, turning, twist, flex and rolling, etc. Focusing on merely one feature each time, a series of pieces has been developed - Line, Circle, Line and Aureola, Sweep (overture), Twist, Flex, Circle II, Line II, Sweep, Movement with Fan and so on. 

Audition Details
Time and Date: 8/7 (Sun) 10-1pm
Venue: HKAPA Studio 3
*Invited applicants will have to prepare a Solo of no shorter than 2 mins, based on his interpretation about Linear Movement during the audition.

Application Form: https://goo.gl/mEMKg6 
Deadline: 1/7 (日Sun)
Interested parties please submit the Online Application Form with the following details: 
1) Personal Contact, 2) CV, 3) Full body shot, 4) Solo dance video.

Dancer Requirements:
1. Applicants must be 18 years old or above by the start of the programme.
2. To fit the theme of the work, applicants must have strong professional background of contemporary dance and ballet.
3. Male dancer who has possessed professional contemporary or ballet training.
4. Applicants must be able to work according to the rehearsal and performance schedule.

Thalia Wong
2267 6631 / thalia@hkdanceall.org

Photo: Zoe Ho. Henry Sum at Line II by Classifiable Movement.


如何將藝術理念寫成計劃書獲取資助? 計劃書和財政預算究竟要甚麼內容? 藝發局一年兩度接受申請的「計劃資助」亦將於6月30日截止,針對獨立舞者/舞團的需求,舞盟邀請到獨立製作人李海燕 (Joanna Lee)與我們分享實戰經驗。詳情如下:

講者: 李海燕 (Joanna Lee)
日期及時間: 6月21日 (四) 7 – 9 pm
地點 : CCDC舞蹈中心 1號室# (不設坐椅)

- 簡介本地資助體系、配套、程序和規則
- 教授計劃書的撰寫方法,個案分析:藝發局「計劃資助」
語言: 廣東話
對象: 有興趣遞交計劃書之藝術家/藝術行政人員 (舞蹈界別優先)

要求: 參加者需
(1) 略讀 藝發局計劃資助申請準則

(2) 試填 計劃資助申請表格


截止日期: 6/18 (一) 

場地贊助: CCDC 舞蹈中心
註: 講者分享純為個人對proposal的書寫方法,不代表任何藝發局審批準則或其他審批員意見。